Vincenzo Parea - Collective Exibits

 

Vincenzo Parea is a founding member of the following groups: “Il Sagittario,” an artistic orientation group founded in 1964; “Nuova Verifica,” an artistic avant-garde group founded in 1971; co-founder in 1973 of “Studio V,” an exhibition and discussion space between artists and between artists and the public. 

2016

Collettiva MONOCROMI BLU presso Milano - Liceo Artistico di Brera

2015

Collettiva presso Museo della Permanente di Milano dal titolo Miscellanea

2014

Milano, Liceo Artistico Statale di Brera, “Monocromi Rossi”

2013

Matera, Palazzo della Provincia, opere di artisti vigevanesi scelte da Federica Rabai

2012

Vigevano (Pv) Spazio Scotellaro “Gruppo Nuova Verifica 1971” mostra e presentazione a cura di Federica Rabai

2012

Bozzolo (Mn) Sala Civica “La collezione d’arte del Comune di Bozzolo”

2012

Vigevano (Pv) “Spazio Scotellaro”, “Evoluzioni, omaggio a Giuseppe Franzoso” a cura di Federica Rabai

2012

Silistra (Bulgaria)  “Art Galery Silistra” invitato alla manifestazione “Colori d’Italia in Bulgaria” con il patrocinio dell’Istituto italiano di cultura a Sofia.

2011

Invitato dalla Provincia di Mantova, Casa del Mantegna, “Il cerchio ed il quadrato” da un idea di Roberto Pedrazzoli a cura di Claudio Cerritelli, con relativa pubblicazione di un volume Edizioni Tre Lune Mantova

2011

Vigevano (Pv) Spazio Scotellaro – “I colori della nostra bandiera” patrocinata dal comune di Vigevano

2011

Corsico (Milan), Sala La Pianta, invited to the show “Pittori in mostra in ricordo dell’amico Giorgio” (Exhibition of painters in memory of our friend Giorgio), by the Rotary Club in Corsico Naviglio Grande.

2010

Vibo Valentia, invited to the International “Limen Art” award ceremony, presented with a plaque for the section “L’opzione monocromatica: dal tutto bianco al tutto nero” (The monochromatic option: from all white to all black).

2010

Sartirana Lomellina (Pavia), art exhibition dedicated to contemporary artists, curated and presented by Giuseppe Castelli in the halls of PILA in the castle of Sartirana Lomellina.

2009/10

Sinfonia Dedicata (Dedicated Symphony), in tribute to Giuseppe Vittorio Parisi, catalogue with an exegesis by Claudio Rizzi, at the Parisi – Valle town museum in Maccagno (Varese).

2009

L’Arte Costruisce il Mondo (Art Builds the World), international constructivism, concretism and cinevisualism for the unification of the world: summary specimen works in 20x20 cm format. Promoted by the Arte Struktura cultural association at the “Punita Hacenda Gallery” in MUMBAI (INDIA).

2009

Cologne (Germany), Galleria Stracke, Racconti Italiani (Italian Stories).

2009

Milan, Galleria Cavenaghi Arte, exhibition of contemporary artists for the presentation of the book Parole al minimo for the painting, by Claudio Cerritelli.

2008

Desenzano del Garda (Brescia), Assessorato alla cultura (Department of Culture), “L’Arte costruisce l’Europa” (Art Builds Europe) by Anna Canali.

2008

Mantua, Mantegna’s house  “Aniconic painting . Art and criticism in Italy (1968 – 2007)”

An exhibition highlighted through a  book by Claudio Cerritelli, published by the Mazzotta publishing house of Milan, 2008.

2008

Frankfurt am Main, selection of Italian artists  proposed by “Westend Galerie” titled: Paesaggi Astratti ( Abstract Landscapes).

2007

Pavia, Cairoli College, Invited to the exhibition “The colour of the spirit”.  85 works  in white by 85 artists. Catalogue presentation by Fabrizio Paracchini.

2007

Invited at the “In-Visibil-Arte”  event.  An exhibition by Giorgio Di Genova  in collaboration with Laura Ramoino held at the Viterbo fair.

2006

Vigevano (Pavia) church of SS. Crocefisso.  “In the Shining Obscurity”  with an exegesis by Anna Strada meeting  artists Vincenzo Parea, Marco Currò  and Sonia Quarone. Coordinator Alessio Tumiato on behalf of the Ducale Cultural Association.

2006

Invited by the councillor for culture of the Region of Lombardy to a selection of Artists from Lombardy of the Generation of the 40’s. Curator Claudio Rizzi, with exhibitions           in the civic Museum Parisi Valle” of Maccagno (Varese) in the “Guicciardini” hall of Milan and in the Museum of Modern Art of Gazoldo degli Ippoliti, mantova. Catalogue Grafiche Nicolini, Gavirate (VA)

2006

Invited to the 45th Suzzara Prize (Mantova). “The Future of Tradition” – curators                    Bruno Bandini, Claudio Cerritelli and Luigi Sansone. Catalogue Publi Paolini,                           Mantova

2006

Invited by the Town of Sassoferrato (Ancona) to the 56th “G.B. Salvi” International Art Exhibition  verifications: from the twentieth to the twenty-first century, by Mauro Corradini. Catalogue Graphic Art Stibu, Urbania (PU)

2006

Sartirana (Pavia) “40 artists in Lomellina” collection of contemporary art, in the halls               of the Arborio Gattinara Castle, Sartirana.

2006

Invited by the City of Corsico (Milan) in collaboration with the Rotary Club of            Corsico Naviglio Grande to the exhibition “A bridge of art from the Naviglio Grande    to the Ticino”. Catalogue with presentation by Pier Giorgio Morosi.

2005

Pieve di Cento (Bologna) The “G. Bargellini” Art Museum catalogue of the Generation from the 40’s, presentation by Giulio Bargellini, introduction and critique by Giorgio Di Genova, Bora Press, Bologna 2005.

2005

Invited by the councillor for culture of the town of Candia Lomellina (Pavia), “Artists for a Lomellino Museum “, works chosen by the sculptor Alberto Ghinzani,  Giuseppe Castelli and Giordano Magnoni.

2005

Invited by the councillor for culture of the city of Corbetta (Milan), to the exhibition “Un ponte d’arte sul Ticino”  (A bridge of art over the Ticino river)  presented by Pier Giorgio Morosi.

2004

A group of international artists entitled “Graphic works and fidelity of expression” – presented by Giuseppe Franzoso at the “Borderline” Gallery of Contemporary art in Vigevano (Pavia)

2004

Guest at the “Luce, vero sole dell’Arte” exhibition  (Light, the true sun of Art) organised by Giorgio Di Genova in the halls of the Museo d’Arte of Italian generations of the 20th century “Giulio Bargellini” in Pieve di Cento, Bologna

2004

Mantova – Casa del MantegnaIncanto della pittura”an exploration of Italian art in the second half of the twentieth century,catalogue compiled by Claudio Cerritelli at the behest of the Councillor of Culture and Tourism of the Province of Mantova

2002

"Totalità Visive" [Visual Totalities] (Currò - Parea -Pellitta), at the Civic Centre, City of Albairate (Milan).

2002

invited at a small format exhibition, with works on paper, canvas and wood panels by: Ballocco, Capogrossi, Cappello, Garau, Gasparini, Nangeroni, Pantaleoni, Parea, Piemonti, Sambin and Soldati; promoted by the “Superficie Anomala” Cultural Centre, Milan.

2001

Buenos Aires, Argentina, invited by the Arte Struktura Cultural Association, Milan, at “arte BA 2001,” 10th Fair for Art Galleries; under the patronage of the Region of Lombardy and the Italian Embassy, Buenos Aires.

2001

Brescia, “Sincron” Contemporary Art Cultural Centre, invited at the exhibit A.A.A. artists of the Sincron from 1967 to 2001, with works selected by Armando Nizzi.

2001

Omegna, prov. of Verbania; participates in the event “costruttivismo, concretismo, cinevisualismo, madì = nuova visualità internazionale” [Constructivism, Concretism, Cinevisualism, Madì + New International Visuality], with a 100x100 work and relative performance project; promoted by Forum Omegna – Omegna Art and Industry Museum Foundation (VB), under the patronage of the City of Omegna, Province of Verbania, and the Region of Piedmont; organized by Arte Struktura, Milan.

2001

invited at the exhibition “Italia Argentina/Argentina Italia: l’arte costruttiva: un ponte per la cultrua” [Italy Argentina/Argentina Italy: Constructive Art – a cultural bridge], critical essays by Attilio Marcolli and Giorgio Segato, promoted by the Arte Struktura Cultural Association, Milan, under the patronage of the Region of Lombardy.

2000

at a collective of contemporary artists selected by Luisanna Dalù for the “Giotto & Company” art gallery, Vigevano.

2000

at a collective of international artists proposed by Friedrich W. Kost for the inauguration of the new site of the Galerie Regio, Efringen-Kirchen, Germany, with a presentation by Dr. Ruprecht Zwirner.

2000

represented by Arte Struktura, international contemporary art centre of Milan, at the EXPO ARTE BA of Buenos Aires, Italian Cultural Institute and the Academy of Fine Arts of Buenos Aires; at the MACLA [Latin American Contemporary Art Museum], and at the Faculty of Architecture of La Plata.

1999

invited at the exhibition “Il Percorso dell’Arte Vigevanese nel Novecento” [Art in Vigevano during the 1900s], catalogue edited by the Department of Services and Cultural Heritage of the City of Vigevano, with historical/critical texts by Giuseppe Franzoso, in the Fresco Hall of the Sforzesco Castle, Vigevano.

1999

at a “Rassegna di Arte Visiva” [Visual Art Review], works selected by Antonio Battaglia, contemporary art, Milan.

1999

invited at the exhibit “L’Addio al Millennio” [Farewell to the Millennium], proposed by “Fortuna-Art,” Zagreb, in the exhibition rooms of the Morh-Hotel “Park,” Crikvenica (Croatia).

1999

Galerie Regio Collection, March-Hugstetten (b. Freiburg), works on exhibit by: Acht, Deimling, Gorin, Klemm, Leblanc, Parea, Pfaff, Salamon.

1999

Venice-Mestre, Contemporary Art Gallery, invited at the exhibit “8+1=20,” catalogue with documents and historical/critical statements by: Francesca Brandes, Nicola Cisternino, Dino Marangon, Gian Paolo Roffi, and Alberto Veca, edited by the “Verifica 8+1” Cultural Association, and promoted by the Cultural Department of the City of Venice.

1998

at the Young Museum, Revere (Mantova), Palazzo Ducale, “Nuova Visualità Internazionale” [New International Visuality], promoted by the Arte Struktura Cultural Association, Milan.

1997

Vigevano, Palazzo Roncalli, invited at the exhibition “Arte in Vigevano una storia che continua” [Art in Vigevano: a Continuing Story], catalogue with historical/critical essay by Giuseppe Franzoso, under the patronage of the Region of Lombardy – General Cultural Administration, City of Vigevano - Cultural Department, and the Vincenzo Roncalli Foundation.

1997

invited at the exhibition “Omaggio all’Energia Ambientale: Arte del 2000,” [Homage to Environmental Energy: Art of 2000], catalogue introduced by Carlo Belloli, commissioned by the Italian Thermotechnical Association, on the occasion of the 52nd National Congress of the A.T.I., in the halls of the International Exhibition and Congress Centre in Villa Erba, Cernobbio di Como.

1997

at the Villa Ormond, San Remo, Constructivism, Concretism and Cinevisualism + New International Visuality, 100x100 x Arte Struktura +a graphic project 50x70, catalogue with critical essays by: Getulio Alviani, Giulio Carlo Argan, Carlo Belloli, Germano Beringhelli, Fernando Fournier, Manfredo Massironi and Alberto Veca. Promoted by the Arte Struktura Cultural Association, Milan, under the patronage of the Tourism and Events Office, City of San Remo, and by the Cultural Department of the Region of Liguria.

1997

participates in: 100x100 x Arte Struktura, International Constructivism, Concretism and Cinevisualism, itinerant exhibit prepared by Anna Canali, Milan.

1996

participates in: 100x100 x Arte Struktura, at the summer site of Lonato del Garda (Brescia), homage to the activity of Anna Canali.

1996

Trieste, at the palace for the superintendency of artistic, cultural and architectural heritage, participates in the exhibition “L’Arte Costruisce l’Europa” [Art builds Europe], summary of sample works from the format 20x20 cm, introductory text to the catalogue Giorgio Segato. Curator, Anna Canali for Arte Struktura, Milan - in collaboration with the Beatrice d’Este Cultural Association, Milan.

1996

Omegna, (Novara), civic hall of the Carrobbio, participates in the exhibition “L’Arte Costruisce l’Europa” [Art builds Europe], summary of sample works from the format 20x20 cm, catalogue with critical and introductory texts by Giulio Martinoli and Giorgio Segato, for the City of Omegna editions; organization by Anna Canali - Arte Struktura, Milan.

1995

invited at the exhibit “Percorsi dell’Astrazione a Milano” [Routes of Abstraction in Milan], catalogue with introductory essay by Flaminio Gualdoni; sponsored by the Region of Lombardy – Transparency and Culture Department, and by the Province of Milan – Culture Department, in the exhibition rooms of the Museo della Permanente, Milan.

1994

at the Palazzo della Corgna, city of Pieve (Perugia), “Piccolo formato 20x20: costruttivismo, concretismo, cinevisualismo internazionale per l’unificazione europea” [Small format 20x20: International Constructivism, Concretism and Cinevisualism for European Unification], from Arte Struktura, Milan.

1994

at the Collections Museum, Bucharest (Romania), “Piccolo formato 20x20: costruttivismo, concretismo, cinevisualismo internazionale per l’unificazione europea” [Small format 20x20: International Constructivism, Concretism and Cinevisualism for European Unification], from Arte Struktura, Milan - in collaboration with the Beatrice d’Este Cultural Association, Milan

1993

at an exhibit dedicated to Modern Works, in the exhibition rooms of the Civic Art Museum in Palazzo Crespi, Vigevano.

1993

Fair Centre, Contemporary Art Exhibition, Montechiari (Brescia), “Piccolo formato 20x20: costruttivismo, concretismo, cinevisualismo internazionale per l’unificazione europea” [Small format 20x20: International Constructivism, Concretism and Cinevisualism for European Unification], from Arte Struktura, Milan.

1992

at the exhibit with the pioneers of international abstractionism, constructivism and concretism, at the Arte Struktura gallery, Milan.

1991

at the public announcement “Per Incanto un’Asta Diversa” [By Enchantment a Different Auction], ordered by “Nuova Brerate s.p.a.”, Milan. Curators: Giorgio Cavaciuti, Giliola Rovasino, Bianca Tosatti, and catalogue with introductory texts by: Giulio Ciavoliello, Marco Senaldi and Angela Vettese.

1991

at the Rondottanta Cultrual Centre in Sesto San Giovanni, Milan; “Piccolo formato 20x20: costruttivismo, concretismo, cinevisualismo internazionale per l’unificazione europea” [Small format 20x20: International Constructivism, Concretism and Cinevisualism for European Unification], from Arte Struktura, Milan.

1991

Zurich, Centre for Italian Studies, presentation of activities by Arte Struktura, Milan; documents, publications and editions for bibliophiles, amongst which is the volume “Cromofanie in sinossi strutturali irriferenti: Vincenzo Parea.”

1991

at the Lidija Jametti gallery in Bachenbulach (Switzerland) “Piccolo formato 20x20: costruttivismo, concretismo, cinevisualismo internazionale per l’unificazione europea” [Small format 20x20: International Constructivism, Concretism and Cinevisualism for European Unification] proposed by Arte Struktura, Milan.

1990

at Arte Struktura, Milan, “Piccolo formato: 20x20” [Small format: 20x20], international constructivism, concretism and cinevisualism. Exhibit proposed by Anna Canali, itinerant throughout Europe.

1990

present at the review “51 ideatori inogettivi della visualità strutturata” [51 non-objective originators of structured visuality], commissioned and presented by Carlo Belloli, at the La Polena gallery, Genoa.

1989

– invited at the Modern and Contemporary Art Museum of Trento and Rovereto, for the presentation of the volume “Arte costruita: incidenza italiana” [Constructed art: Italian incidence], edited by Arte Struktura, Milan, 1989.

1989

present in the volume published by Arte Struktura editions, entitled “Arte costruita: incidenza italiana” [Constructed art: Italian incidence], with historical/critical introductory texts by Giulio Carlo Argan, Riccardo Barletta, Carlo Belloli, Marco Meneguzzo, Elena Pontiggia.

1989

invited at the III Biennale of International Contemporary Art as part of the Milan Fair, Arte Struktura section.

1989

at Arte Struktura, Milan, participation at the review presented by Carlo Belloli: “51 ideatori inoggettivi della visualità strutturata” [51 non-objective originators of structured visuality].

1989

invited at the fifth Biennale of Contemporary Art, City of Marostica (Vicenza), with the theme “Education, Aesthetics and Art.” Critical interventions by Attilio Marcolli, Giuliano Menato, Giorgio Segato and Alberto Veca, for the catalogue edited by the Cultural Department of the City of Marostica, under the patronage of the Region of Veneto.

1987

invited at the “Anna Canali: vitalità di una precisa tendenza” [Anna Canali: vitality of a precise trend] review, presented by the Association of Women Organized in International Art, Solarium pavilion, Trotter park, Milan

1986

participates at the “colore formato” [Formed Colour] proposal presented by Carlo Belloli in the halls of Arte Struktura, Milan

1985

exhibits at the “dinamica della diagonale” [Dynamics of the Diagonal] review, forty non-object propensities of the oblique, localized and selected by Carlo Belloli, at the Arte Struktura gallery, Milan.

1983

present at the “c.c.c. 2: concretismo, costruttivismo e cinevisualismo internazionale in collezioni private italiane” [c.c.c. 2 – International Constructivism, Concretism and Cinevisualism: major players and continuators in private Italian collections] review, rendered itinerant on the Chandris Cruise Greek motorboat “Romanza,” touching the ports of Dubrovnik, Corfù, Crete, Rhodes and Athens.

1983

exhibits at “c.c.c. 2: concretismo, costruttivismo e cinevisualismo internazionale in collezioni private italiane” [c.c.c. 2 – International Constructivism, Concretism and Cinevisualism in private Italian collections] review at the Municipal Library, Palazzo Todeschini, Desenzano del Garda.

1983

participates at the art. 14 art book section –International Art Salon, Basil – with the volume “Cromofanie in sinossi strutturali irriferenti: Vincenzo Parea,” dedicated to him by Carlo Belloli, Arte Struktura editions, Milan,1983.

1982

present at the “Omaggio a Filippo Tommaso Marinetti: 30 cromoplastici di tendenze confrontate” [Homage to Filippo Tommaso Marinetti: 30 chromoplastic works of diverse tendencies] presented at the Zarathustra-art encounter gallery in Milan, on the occasion of the publication of the volume by Carlo Belloli “Iconografia di Filippo Tommaso Marinetti/182 contributi cromoplastici e fisiosintetici per un’immagine del poeta” [Iconography of Filippo Tommaso Marinetti/182 chromoplastic and physiosynthetic contributions for an image of the poet]. Arte Zarathustra editions and Silvia Editrice, in co-association, Milan, 1982.

1982

at the “c.c.c. 2 – costruttivismo, concretismo e cinevisualismo Internazionale: protagonisti e prosecutori in collezioni private italiana” [c.c.c. 2 – International Constructivism, Concretism and Cinevisualism: major players and continuators in private Italian collections] review; 162 localized and selected works by Carlo Belloli at the Arte Struktura gallery, Milan.

1981

at an overview of constructivist, concretist and cinevisual tendencies presented by the Arte Struktura gallery in Milan, and at the International Congress Centre at the Sorrento Palace in Sorrento, Naples.

1979

at a review of contemporary art at the Phanta Arte gallery, Como.

1974

at the XIX City of Termoli Prize, Castello Svevo, Termoli, Campobasso, invited out-of-competition.

1974

Rome, Albatros gallery, painters from the “Studio V”: Vincenzo Parea, Armando Peretta, Italo Peretta. Volume edited by Tino Abiati with critical and poetic texts by Antonio Calderara and Giuseppe Franzoso.

1973

at the “Opere Bianche” [White Works] review at the “Studio V,” Vigevano

1973

at an exhibit of international artists at the Wallgraben Theatre, Freiburg (Germany).

1973

at an overview of contemporary art selected by the Royal Gallery in Lorrack (Germany).

1973

at “Proposta per un dialogo” [Proposal for a Dialogue] as part of the conference-exhibit presented at the Officers’ Circle in the Ducal Palace, Vigevano.

1973

“Proposta per un dialogo” [Proposal for a Dialogue] by the “Nuova Verifica” group: Antonio Calderara, Vincenzo Parea, Armando Peretta, Italo Peretta; presented by Giuseppe Franzoso with itinerant shows in recreational and cultural centres in the area of Lomellina.

1972

at the National Award, Sciacca (Agrigento).

1972

at “Proposta 18-24,” at the La Darsena gallery in Milan.

1972

at an Overview of Contemporary Painters, presented at the Merlo gallery, Vigevano.

1972

invited at the S. Michele First National Award, Oleggio, Novara.

1972

at the XXII G.B. Salvi and Little Europe Review, presented at Sassoferrato di Ancona.

1972

at the contemporary artists collective exhibit proposed at the La Darsena gallery in Milan.

1971

at the “Nomi d’oggi e di domani dell’arte italiana” [Names of Today and Tomorrow in Italian Art] review at the Merlo gallery in Vigevano.

1971

at the documentary-review of the factory and

1971

with the “Nuova Verifica” group, itinerant shows in factories and schools in Vigevano.

1970

at the gallery “L’affresco” of Lanzo d’Intelvi (Como).

1960

first springtime collective exhibit for the “Il Sagittario” artistic orientation group at the Officers’ Circle in the Ducal Palace, Vigevano.